The Morally Good and Bad in Othello Essays -- Othello essays

The Morally well behaved and Bad in Othello William Shakespeares drama Othello is peerless concentrated skirmish between the armaments of the morally good and the morally bad. Let us canvass this contest in detail in this essay. Standing out bid a dark silhouette on a white stage setting is the sinister character and master of deception in the drama the habituals old-fashioned. Morton W. Bloomfield and Robert C. Elliott in Great Plays Sophocles to Brecht highlight the dominant evil force in the play, Iago For critics, the chief problem in the play is the character of Iago. The wall usually centers around whether he had sufficient motives for his cruel actions or whether, on the other hand, he is an example of motiveless malignity. The question cannot be fixed here, nor is it necessary to try to resolve it. Iago, whether because of his disappointment at not having been tending(p) Cassios position, or because of his belief that Othello had cuckolded him, or because of his love of evil for its confess sake, is nevertheless a man who has rejected all ties of morality and idealism. (39) Totaling the lies which the ancient tells to everyone about him would require considerable effort and time. In Shakespeares quadruplet Giants Blanche Coles comments on the lack of veracity in Iagos speech The taradiddle that Iago tells Roderigo about the promotion of Cassio over him is not true, although it has been accepted by many discriminating scholars. Careless reading alone can account for this misapprehension, incautious reading which for the moment dulls their alertness to one of the most essential requirements of Shakespearian character analysis. That requirement is that the reader must(prenominal) never accept, or must always be re... ...is final passion. From the stern general who had, as his original line, the cold Tis better as it is (1.2.6), he has traversed a pilgrimage of cognise and feeling sorrow. And, it must be repeated, it will depend upon the beholder whether one judges or rejoices in the transfiguration of loving not wisely but too well. (66) WORKS CITED Bloomfield, Morton W. and Robert C. Elliott, ed. Great Plays Sophocles to Brecht. New York Holt, Rinehart and Winston, Inc., 1965. Coles, Blanche. Shakespeares four Giants. Rindge, New Hampshire Richard Smith Publisher, 1957. Jorgensen, Paul A. William Shakespeare The Tragedies. Boston Twayne Publishers, 1985. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos.