Baz Luhrmanns Film Adaptation of Romeo and Juliet Essay -- Papers

Baz Luhrmanns Film Adaptation of Romeo and Juliet Shakespe atomic number 18s use of verbiage reflects the champaign of his day. There were no elaborate set designs, costumes, lighting or run effects and there were also single a small flesh of actors playing many different parts. This could get confusing and therefore the language and imagery had to do all the work for the audience, as the address were the only tools available to help them imagine the scenes vividly. In the prologue of Romeo and Juliet, line number cardinal Is now the two hours traffic of our stage and the very last words our toil shall strive to mend, have significant meaning. These sentences, spoken by the chorus, highlight to the audience the key plot elements to come. It gives the audience an idea of what they are about to watch or read and makes the ensuing action more(prenominal) intelligible. This dramatic convention therefore acts almost like a exposure trailer. In Baz Luh rmanns plastic film adaptation of the play, the prologue begins with a long shot of a television (within a television), with a reporter speaking to us from interior of it. Behind the reporters left shoulder are the words star-crossed lovers and a figure of a broken ring. This, in the first minute of the play, already introduces us to the fact that Romeo and Juliet are star-crossed lovers, which is a major approximation throughout the faultless play. The news reporter then delivers the whole prologue from beginning to end, before the television camera zooms further and further in until the point of extreme close up, at which point the prologue changes. This is how Baz Luhrmann achieves a similar effect to Shakespeares dramatic use of the pr... ...rologue At the very end of the prologue, the title Romeo + Juliet comes up and the plus sign is actually make to suggest a Christian cross. This subtly reminds us of the religious align of the play. This inc ludes the Friar, who is a religious personage, the wedding that Romeo and Juliet have and also the whole theme of destiny and some divinity or higher power face over and controlling us in life. So in conclusion, this is how Baz Luhrmanns film adaptation of the prologue from Romeo and Juliet successfully visually highlights Shakespeares rich language and imagery. We can follow up how he has gone through the prologue and then fairly systematically translated its deeper meaning, in remarkably creative ways. He effectively translates all the messages of the prologue in a contemporary and entertaining context.