Essay on Multiple Voices in Morrisons Song of Solomon -- Song Solomon

The Significance of Multiple Voices in Morrisons Song of Solomon Of the heterogeneous manifestations of voice that participate in the interplay of voices in Song of Solomon, I would akin to name three - the report voice, the signifying voice, and the responsive voice - each of which is dialogized indoors itself and in relation to the others. In the opening scene of the novel, the third-person omniscient narrative voice emphasis added informs us that at the time of day that Mr. Smith plans to vaporize from the roof of Mercy Hospital, word-of-mouth news just lumbered along (3). This vocalise not only encodes the black vernacular simply alike right off directs the contributors attention to the cultural, communicative process by which the community structures itself. Interestingly, the phrase appears in the second sentence after Mr. Smiths note about his planned public life appears in the text. Thus, it abruptly shifts the readers attention from the spectacle of Mr. Smith t o the linguistic community of which he is a part. For this community, word of mouth is both a mode of dialogue and a category of knowledge upon which its members depend. The phrase also stands in oppose to the written word of Mr. Smiths note and therefore, paradoxically, points to his announcement as a fault of the normative, just as the description of the community that follows the phrase suspends the reader, along with the inquisitive crowd of onlookers. On the one hand, the narrative voice contextualizes the act of an individual with the attendant communal response on the other hand, it concurrently informs the reader and abdicates any totalizing ability to do so. Perhaps more importantly, however, in the litany of development about how the bl... ...significance to the listener. By paying attention to how identity is constructed dialogically rather than monologically, the reader hears and celebrates the voices that Toni Morrison both directly and indirectly enacts in the t ext. But this process also enables the reader to critique those cultural hegemonic forces that have silenced some voices in the first place. A dialogic reading not only encourages the reader to unblock interpretations which reduce the African American community to a monologic, manageable entity but discourages the reader from coming to closure too easily. Works Cited Marilyn Sanders Mobley, Call and repartee Voice, Community and Dialogic Structures in Toni Morrisons Song of Solomon, in Toni Morrisons Song of Solomon, in vernal Essays on Song of Solomon, ed. Valerie Smith, Cambridge University Press 1995, 41-68. 42-43